Exit 10 Music Downloads
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Highway 61
This is Ted’s arrangement of the Dylan standard dripping with angst and bad acid. Though some have compared it to Hendrix’s “Voodoo Child”, Ted modeled the bass line after the type of melody played on a Brazilian berimbau, a kind of bow with a steel string and sounding gourd. Marcus’s use of the Fender Rhodes piano through a devious assortment of pedals and Scott’s Hendrix-y guitar form the seething backdrop for the demonic vocal performance.
Ted took some liberty (this is still America,after all) by paraphrasing Dylan’s last verse and adding a final verse of his own. Ted adds some authentic dirty blues harmonica just to throw a little sawdust on the floor.